Billy Graham - A Personal Reminiscence

I was one of those who went forward at a Billy Graham Crusade. It was the early summer of 1966, at the Earl's Court Arena. He preached there for a month. Close on a million people must have heard him. I was one of about forty thousand who responded to the "altar call" (though I don't think that phrase was being used any more in the 1960s).

There. I've come out and admitted it. I won't say it changed my life. I'd consciously become a Christian earlier that year, thanks to friends in the school's Christian Union. Before that I'd been a chorister. I hadn't been brought up in a church going family. My parents told me on my first day as a chorister not to bring any of "that religion" back home with me. It was for the music that they were encouraging me, that alone. So they were not best pleased when I announced my conversion, though they did come to my baptism and confirmation a few months later.

So yes, 1966 was an annus mirabilis, a year of joyful wonder, no doubt about that. And Billy Graham was part of it. I went with friends to hear him several times. I didn't care for the musical style of Cliff Barrows and George Beverley Shea - I'd have preferred O worship the King and There's a wideness in God's mercy to Blessed assurance and To God be the glory (still do). But I remember admiring the sheer professionalism with which these vast events were managed. I also recall being impressed by the diversity of people sitting on the platform - Anglican bishops, civic leaders, some black faces I didn't recognise. All in all, it was great theatre. You couldn't but be impressed.

He was a master of rhetorical technique. Where had he learned it, I wonder - from the study of classical Greek and Roman rhetors, or from American politicians or the great preachers of previous ages? Maybe he was one of those natively gifted people who come to realise they have power to sway human minds and hearts. He knew how to work a crowd. And he knew exactly how to speak in such a way that you would think it was directly and personally meant for you. To achieve that calls for charism of a high order.

But most of all, I was drawn to the man. It wasn't so much the content of his addresses (none of which I can now remember), but the way he gave them, the kind of human he came across as being. (I wonder if this is true of all of us preachers most of the time?) What struck me more than anything was the sense he conveyed of a profound personal integrity. He seemed to have no "side". It was hard to suspect hidden agendas or imagine ulterior motives, though the cynics tried hard enough. He believed every word of his own message, and as far as we the audience could tell, lived by it. All the obituaries I have read confirm the impression that he was a genuinely humble man who "loved his Lord", as Donald Coggan would have said, who never regretted giving his life to the gospel.

I think, looking back, that it was his essential goodness that impelled me to go forward that evening. I craved innocent, unselfconscious goodness (and still do), that singleness of mind and purpose that Jesus in the Sermon on the Mount calls "purity of heart". I was already aware as a teenager that I fell well short of it myself. I wanted, so to speak, to nail my colours to that mast. It was an aspiration. Perhaps I knew in some obscure way that this would be a life task, that conversio is never a once-for-all decision, but a lifelong turning away from what is destructive or corrupting or evil towards all that is good and true and beautiful. "Think on these things" says St Paul. I believe Billy Graham was one of those rare people for whom this was a daily habit.

I met him once, briefly. This was in May or June 1984 when he came to the original Sunderland FC ground at Roker Park to preach to the North East. Nearly twenty years older than when I'd last seen him, he had not lost his good looks. I'd been sent to report the event for a newspaper. By then I'd moved away from conservative evangelicalism into a more catholic and sacramental spirituality. So I perhaps went to Sunderland prepared to be critical. The stadium was only half full: maybe it was the keen wind blowing off the North Sea that night, or maybe the people of County Durham and Northumberland were just worn down by the miners' strike that had begun a few months earlier.

I went to the press conference. You could tell that Billy Graham understood how to engage with, if not a hostile, then a suspicious media. (The press mostly don't care much for religion until a significant exemplar of it dies - today's obituaries strike a very different, and far more positive, tone from the press commentary of thirty years ago.) He was courteous, direct and shrewd in his answers. He wouldn't get drawn into debates about American politics, what he thought about Viet Nam, Watergate and so on. I asked him a question, possibly about race relations in US; or was it about Nicaragua? I don't think it was the miners, though that would have been interesting. I was probably trying to be clever. But he played a straight bat, and you couldn't quarrel with that. He looked me directly in the eye as he spoke. His gaze was piercing, questioning, placing me under scrutiny. I thought: here is a man who deserves to be taken seriously.

So why didn't the Billy Graham brand of evangelicalism "stick"? I was asked a similar question by George Carey once, when he was Archbishop and came to preach at Sheffield Cathedral. "You were on course to be an evangelical leader, Michael. What went wrong?" I said I didn't accept the premise that anything went wrong. But it would take a long series of blogs to explain. Maybe I don't entirely understand it myself, though as I get older and look back on my life, things gradually fall into place, even if gathering the fragments is always a work in progress.

I suppose that as the prophets said to Elisha, "the place where we live is too small for us". I don't mean this unkindly. We all move home many times in our lives, spiritually, intellectually, emotionally. I have good evangelical friends whom I honour for their faithfulness to Christ and their loyal witness to the gospel. But I found the evangelicalism of those days too talkative, too busy, too extraverted. There was not enough silence in it, not enough space to contemplate, not enough imagination or playfulness, not enough awareness of the place of beauty in religion. And it didn't seem to reach into the complexities of the human heart (well, mine, anyway). No doubt a lot of it comes down to temperament. But I have to say that I became increasingly at odds intellectually with the way conservative evangelicalism did theology.

But I want to think (and pray) that I haven't lost what has been most precious in my evangelical formation: a love of the scriptures and a belief that they must be central to Christian life and thought; a conviction that personal relationship with God is the essence of all religion if it is to mean anything; and not least, a spirituality that is ardently focused on Jesus' cross and passion. As a student (at Trinity College Bristol!) my tutors told me to read the radical New Testament critics and John Henry Newman's Apologia. Oh, and to try to grasp the principles of liturgical prayer. I realised how much bigger the Christian world was than I'd imagined. That's it, really. The rest is history.

There are many mansions in our Father's house. God not only moves in mysterious ways himself, but moves us in ways that are just as mysterious when we try to make sense of them. I know that on many matters, Billy Graham and I would not have agreed since those heady days of the 1960s. He probably wouldn't have been comfortable in my liberal catholic, inclusive-church world, nor I in his. Except for this. I have no doubt whatsoever that he would have honoured my stumbling attempts to walk my Christian faith journey with integrity, just as I want to honour his. For what matters most is the same, to "turn away from sin and be faithful to Christ" as the Ash Wednesday words put it. Discipleship is as simple as that, purity of heart. Billy Graham helped me to start out on that path. For that, I'm grateful and glad.

Farewell to a great Christian man. RIP.

Well done Coventry!

30 years ago this year, Coventry won the FA Cup Final. The city went wild with delight. It was said that a quarter of a million people were out on the streets to welcome their team home. Coventry was awash with sky-blue. The newly-hung cathedral bells, not yet formally dedicated, rang out for the first time to celebrate. No-one who was there will ever forget that weekend.

It's also 30 years since our family moved to Coventry. I went there to take up a post as residentiary canon at the Cathedral. I was installed on 10 May, the Sunday before the Big Match. In my sermon I wished the Sky Blues well at Wembley. There was hollow laughter, I recall. Who'd have thought that I of all people would be aware of an upcoming football event? And who'd have thought that Coventry had any chance of defeating Spurs who had won the trophy twice in the previous seven seasons?

And now, exactly three decades later, Coventry is once again walking tall. The city has been named UK Capital of Culture 2021. It deserves the honour. I can say that as someone who has known it well. We spent eight happy years there. It's where our children mostly grew up, so we have always thought fondly of the city as, in a sense, still "ours". (That's also true, by the way, of another of the 2021 candidate cities, Sunderland, where we have lots of family connections. They too put up a first-rate bid and it's a pity that when it comes to the Capital of Culture, it can't be a case of Alice's oft-quoted words "all have won, so all must have prizes".)

A few years ago I blogged about going back to Coventry. That occasion was the golden jubilee of the consecration of the "new" Coventry Cathedral in 1962. As I wrote then, I'd been one of the millions who'd visited the Cathedral that year. I was twelve when my parents took me. I can vividly recall my impressions on that late spring day, most of all of Graham Sutherland's huge tapestry of Christ in Glory, John Piper's marvellous coloured glass in the baptistery, and not least, looking down at my own reflection in the black mirror-like surface of the nave floor. I was not a religious boy in those days, but I was both stirred and moved by that great building. It seemed to speak beyond itself to something bigger and more expansive than I think I'd ever known. Looking back, I guess it was one of my early spiritual experiences, an intimation of resurrection. Twenty-five years later, one of my first jobs at the Cathedral was to organise the silver jubilee celebrations.

Living there, I became fascinated by this city of paradoxes. There was something homely and familiar about its medieval streets, so Warwickshire, so quintessentially England. Yet the pre-war planners (quoting Tennyson's "the old order changeth, giving place to new") had already laid waste to Butchers' Row, what we would now regard as a priceless piece of heritage townscape comparable to the Shambles in York). And what they didn't destroy, the Luftwaffe made swift work of on that terrible night of bombing on 14 November 1940, codenamed "Operation Moonlight Sonata". What does it do to a city to have been reduced to ashes, to be the only one in Britain whose cathedral was destroyed by enemy action?

After the war, a brave new city arose like a phoenix. Ancient and modern stood inextricably bound together in both the way the city was re-engineered, and in the experience of its citizens. So much was symbolised by the old and new cathedrals standing side by side, or rather, in these two physical expressions of one single Cathedral. With the exception of the Cathedral, the architecture of the 1950s and 60s has not fared as well as what survives of the middle ages. Perhaps Coventry was rebuilt in too much of a hurry. These days the city is not the gleaming emblem of modernity it once was. Its industries experienced a steep decline from the late 1970s so that by the time I was living there, unemployment was high and the future of its manufacturing industries looked bleak.

Yet somehow, the spirit of Coventrians was not broken by this turnabout in its fortunes. Yes, they could be good at looking west to Birmingham and envying the seemingly unstoppable success of their near neighbour. (Coventry is to Birmingham as Sunderland is to Newcastle and Bradford is to Leeds - these pairings of cities with very different characteristics are an intriguing aspect of modern Britain.) But look at what the new Commonwealth immigrants who came to work in Coventry after the war brought to the city. I found I was living in one of the most vibrant, multicultural places I'd ever known. My suburban assumptions about what it meant to be British were challenged like never before or since. We loved visiting the places of worship of other faith communities and getting to know our warm-hearted, hospitable hosts. I think that it was there that I consciously began trying to think of myself, in a famous if much maligned phrase, as a "citizen of the world".

It's important that "City of Culture" is interpreted in the widest possible way. Hull has demonstrated this most successfully in 2017 and we salute that city. Culture is a slippery word that can quickly take on a whiff of elitism if we aren't careful. The point about culture is that it is essentially demotic in character. This is because it is about what has formed and made us to be the people, the societies, the communities we are, how we have been grown. That's much more than simply a matter of museums and libraries, literature and poetry, art and architecture. Somehow, I have a hunch that the people of Coventry will be very good at sharing who and what they are, and how they have travelled together as a city across the centuries and through the recent past into the present.

As for what we call culture in the more traditional sense, there is more than enough to make the trip to Coventry worth while. Many have pointed out that Hull and Coventry (together with my own village of Haydon Bridge) have in common the poet Philip Larkin. One of the best twentieth century English poets, while he lived and worked in Hull, it was in Coventry that he was born. I have to say that in my time, Coventry had not done nearly as much as Hull to honour him, so I hope 2021 will put that right. Similarly, though less noticed, the Nuneaton-born Victorian novelist George Eliot, as great in her century as Larkin was in his, also lived in Coventry. Her greatest novel Middlemarch ("the magnificent book that...is one of the few English novels written for grown-up people" said Virginia Woolf) is very probably based on Coventry.

I could go on to write about the legendary Leofric and Godiva, Coventry's history as one of England's great medieval cities, its industrial heritage, its Herbert Art Gallery and Motor Museum, to say nothing of the Cathedral itself which constitutes one of the best expressions of mid-twentieth century artistry and craftsmanship in England. I could mention the rich diversity of performing arts in the city in both dedicated venues and in the streets and squares. I could write about the two universities that contribute so much to Coventry's intellectual and cultural landscape. And I could write about how Coventry has become a symbol of international reconciliation and peace-making that has evoked the admiration of people across the world.

But most of all, it's the people who make the place. When it was announced that Coventry had won their bid to be City of Culture, I was touched to hear ordinary Coventry people speak about their city and why they loved it. I'm sure the citizens of all five shortlisted cities would have said the same of theirs. Perhaps Coventry, with its cosmopolitan and internationalist outlook, can represent the best of what they would have contributed to this celebration of all that we cherish and are proud of in the culture of these islands.

A final thought. Why can't we have a UK City of Culture every year? The quality of this year's bids shows how much potential there is across the nation to promote art, heritage, tourism and regeneration. We need more local celebrations like this to shine a light on the cultural riches of the UK's towns and cities outside London - not just on places but on their communities. It would be a modest enough claim on central funds. Thanks to the enterprise of their citizens, Hull and Coventry show how a little can go a very long way. Let's go for it, and let Sunderland have the next turn in 2022.

The North East in Twelve Favourite Places 2: Monkwearmouth

Last time I took you to a remote corner of Northumberland. This month I want to visit a place that at first sight looks like the complete opposite: the dense conurbation at the mouth of the River Wear that we know as the city of Sunderland.

I am fond of the place. My wife’s family come from Sunderland. We became engaged on the day in May 1973 when the Black Cats won the Cup Final. How could her father refuse me on such an auspicious day? And had they lost, he’d have been past caring anyway. In those days, shipbuilding was still a major industry on Wearside. Now the huge installations are gone, but not the proud memory of North Eastern ships that were famed all over the world.

You wouldn’t think that the city (as it has been since 1993) is one of the North East’s most ancient places. It owes it all to a man named Benedict Biscop, a Northumbrian Saxon monk who came to the north bank of the Wear in 674 to found a monastery. He travelled to Rome no fewer than six times to bring back books and manuscripts and the skills to build in stone, sing plainchant and create stained glass. He went on to found the monastery at Jarrow seven years later. But perhaps his greatest achievement was to introduce the Venerable Bede to this “double monastery” and encourage him in his scholarship. Benedict Biscop is now the city’s patron saint.

The mouth of the Wear is well worth a visit. The regeneration of the estuary is impressive and makes for an enjoyable riverside walk. On the north bank the National Glass Centre celebrates Sunderland’s long history of glass making pioneered by Biscop. Nearby is the Monkwearmouth campus of Sunderland University and – best of all – St Peter’s Church, and the remains of Biscop’s monastery.

Not much is left of this great Saxon foundation, but what remains they are! Set in a breezy grassy landscape surrounded by contemporary buildings, you are acutely aware of the contrast between ancient and modern in Sunderland. This to me is one of the delights of the city. The Saxon tower is the jewel in the crown, still standing proud and holding its own against the high rise flats and main roads nearby. Beneath the tower is the church porch through which Bede himself must have walked hundreds of times. It’s moving to walk there. When the sun is setting in the west, the Saxon architecture glows with a golden light.

If you’ve caught the spirit of Bede (and who wouldn’t?), then you’ll want to visit the twin Saxon church at Jarrow a few miles ago, and of course Durham Cathedral where his tomb has been since 1022. I have an interest in Durham, of course, having been Dean there for thirteen years. It was a huge privilege to be the guardian of Bede’s bones. He is undoubtedly one of the greatest people England has given birth to. And not just England, for Bede saw himself as totally connected to European civilisation, both classical and Christian. Sunderland may have voted decisively for Brexit, but at Monkwearmouth you feel you are at the focus of a profoundly European vision of things.

While you are there, take a walk on the bracing sea front at Roker. If you’re lucky, the wind will be in the east and the waves will be hurling themselves furiously against the breakwater that defines the mouth of the Wear. On winter days when it’s blowing a gale, you feel the full force of the North Sea at Roker. It may feel like a quintessential suburb, but there aren’t many suburbs in England where the sea is a force to be reckoned with.

A few streets back from the sea front you’ll find another great church, St Andrew’s Roker. It was built in the early twentieth century and is one of the country’s greatest monuments of the Arts and Crafts period. There aren’t many modern churches of real distinction but this is one of them. Like Saxon St Peter’s, it’s another church for Sunderland to be proud of. I’ve always thought that this city is underrated. Which is why I’ve put it on my personal list of favourite places in the North East.